The Parish Church of St Thomas a'Becket
Ian HadenIndex
Evidence of a Saxon Church
The early history of church life in Hampsthwaite is far from clear and is to some extent based on supposition. The best evidence of its existence in the 5th and 6th centuries lies in the discovery of a number of stone grave covers during the restoration of the present church in 1901. Located beneath the foundations, these were identified as Saxon or early Norman in design and workmanship. Several of them had been incised with crosses in the Celtic style. All have been preserved, the two largest standing adjacent to pillars within the church and the remainder - apart from two recently moved inside the church to prevent further erosion of the stone facing - being set in the walls of the porch. From this discovery it is feasible to deduce that a burial mound existed - and there may even have been a church made of wood on the site. If so, it would have been close to the Roman road from Aldborough to Ilkley, which crossed the nearby river and extended almost the whole length of the parish. So, who was responsible for building the first known church in the village and why was it dedicated to St. Thomas a Becket? return to indexThe Connection with St.Thomas a'Becket
Thomas a Becket (1118-1170) was the son of a rich Norman merchant and was ordained by and served under Theobald, Archbishop of Canterbury. In 1155 he was appointed Chancellor of England by Henry II (1154-1189), who was increasingly concerned about the power which the church was exerting in the running of the country. To strengthen his position the king ensured that the high offices were bestowed on his supporters. Thus it came about that he made one of his knights - Hugh de Morville - Constable of Knaresborough and its castle. In an attempt to manipulate the church, Henry made his friend Becket, whom he considered more royal than Roman, Archbishop of Canterbury in 1162. From being subservient to the King, Becket set about ridding the church of its corruption. He obtained the Pope's permission to excommunicate the Archbishop of York, the Bishops of London and Salisbury and some knights. He also opposed the Constitution of Clarendon (1164), by which the King attempted to bring the clergy under the rule of the courts. This made him many enemies and he fell out with the King, who exclaimed: "Will no one rid me of this turbulent priest?" Becket was forced to flee to a Cistercian abbey in France, but he later returned to England to be reinstated by the Pope in 1170. It is not known whether the King was directly responsibreturn to index le for Becket's murder, but by the end of the year bitter hatred existed between them. On the night of 29th December, 1170, four knights - Hugh de Morville, Reginald Fitzpurse, William de Tracy and Richard Le Breton - entered Canterbury Cathedral and murdered Becket in the chapel of the north transept while he was kneeling in prayer. The knights had assumed that they would be pardoned by the King, but so great was the shock as word spread about the dastardly deed that Henry was forced to arrange for their capture. The excommunicated Archbishop of York helped the four knights to escape to Knaresborough, where he knew that Hugh de Morville was Constable of the Castle. There they found a safe refuge amongst powerful friends. Later, the four travelled to Rome, where they sought the Pope's pardon. This was granted on condition that they did penance. It is believed that part of Hugh de Morville's penance was the building of a church - dedicated to St. Thomas a Becket at Hampsthwaite. Why was Hampsthwaite chosen, who was responsible for the building and when was it built? return to indexThe Manors of Aldborough and Knaresborough and the Building of the First Church
It was in 1177 that Henry granted the Lordship of the Manors of Aldborough and Knaresborough to another of his friends, William de Stuteville, whose old and influential family had come to this country at the time of the Norman Conquest. Knaresborough Manor controlled large areas of land established by the Normans as royal hunting grounds. The Forest of Knaresborough measured some 100,000 acres and extended twenty miles from east to west. Lordship of the Manors carried the right of local jurisdiction (the "soke") of the properties in the parishes and clearings of Hamps- thwaite and Felliscliffe and extended as far west as Thornthwaite and Padside. There is actual documentary evidence in the Torre's manuscript - kept in the Library of the Dean and Chapter of York - where we find the following extract:The Priory of St.Robert of Knaresborough
In 1160 Robert Fleur was born in York, where his father was probably Lord Mayor. He showed an early interest in the monastic life when he became a novice at a Cistercian monastery near Morpeth in Northumberland. Later he left the monastery to become an itinerant monk, travelling in the Dales, where he began to preach to those working on the land. Eventually, he reached Knaresborough where, in a hollow on the banks of the Nidd, he discovered a knight hiding from the King's forces. Robert was invited to stay and, when the knight moved on, he remained at his hermitage and built a chapel there. William de Stuteville regarded the friends visiting Robert as robbers and outlaws, but Robert ignored this and continued to lead a simple life, preaching and healing. His piety became known far and wide and many came to hear him preach and to receive his benediction. Even King John (1199-1216) sought his advice and is known to have made several visits to Knaresborough. In France in 1197 The Order of the Holy Trinity and of the Redemption of Captives in the Holy Land was founded and its members were known as Trinitarian Friars. With each house headed by a Minister, its aims were to preach, teach and minister to the local people and to give alms. They became drawn to the work of Robert and in 1257 the Earl of Cornwall issued a charter, giving Robert's chapel to their order. William de Stuteville continued to persecute Robert and even threatened to have him evicted. The story is told of how William had terrible apparitions in which three fearsome men were attacking him with burning rods and iron clubs. Believing this to be retribution for his cruelty to Robert, he pleaded for his life and promised to atone. He sought forgiveness from Robert, giving him land, cattle and alms for the poor. In November 1257, on the authority of the King and the Earl of Cornwall, the Archbishop of York made an order, which granted to the Ministers and Friars of the Priory of St. Robert the tithes (=local taxes), garbs (=clerical vestments and ornaments) and land belonging to the area. Hampsthwaite was included in this order. It was some time later - in December 1348 - that a licence was granted to the Minister and Friars "to present one of their fellow brethren, expressly professed and constituted in priest's order, to the Vicarage of this church of Hampsthwaite." The only mention of Robert's canonisation is contained in the remission granted by the Pope in 1252 to all those involved in building the Priory. In it there is a reference to the body of St. Robert of Knaresborough, buried there. return to indexRebuilding the Church During the 14th and 15th Centuries
What happened to the first church is pure speculation. We know that, after their victory at the Battle of Bannockburn in 1314, the Scots invaded the Dales area and damaged a number of churches. Hampsthwaite Church was probably destroyed in the period 1318-19 and then rebuilt sometime between the middle of the 14th and the beginning of the 15th centuries. The strongest evidence for this lies with the lower portion of the existing tower and the south facing window in the belfry, which belong to the early decorated style of architecture. It is possible that the belfry window was originally the west window of the nave and that it was inserted in the tower where an off-centre split window previously existed. The upper part of the tower is perpendicular in style and may have been added in the 15th century. Of particular interest are the initials on one of the pillars, which are believed to be those of the mason who carved the stone.Rebuilding the Church in 1820-21
In 1820, the Vicar - Timothy Metcalf Shand - and the churchwardens sought permission from the Diocese of York to pull down the nave and chancel of the old church, leaving the tower untouched. Presumably, by now the needs of the parish required a larger church. The new one was of poor architectural quality, as may be seen in the four photographs now preserved in the church. It was built to the design of Knaresborough architect Thomas Driffield, who directed the rebuilding work carried out by James Foxton of Ripon. It is reported that Foxton charged £390 and that most of the cost was borne by the rates. The nave and chancel were almost certainly built on the same foundations as the earlier church, but the south aisle was enlarged to a size greater than the combined nave and chancel. New stone was used for the outside, but the inside walls incorporated much of the old stone. Over the whole building a single low-pitched roof was fixed, with its apex placed away from the centre of the tower while, extended right across the tower and ruining its proportions, was the high gable end, the line of which can still be seen today. Inside, the roof was supported by wooden props (nine inches in diameter), which were fixed to the bases of the original pillars. The ceiling was plastered, with six plasterwork decorations, intended to be used for hanging oil lamps. The church inside was austere, with very plain furnishings - and a single stove at the back to provide heat! No doubt everyone made a beeline for it in the cold winter months! At the east end of the church was a small sanctuary, enclosed by a heavy wooden communion rail, while on the wall behind the altar were four wooden tablets, of which two were inscribed with the Ten Commandments (now preserved in the belfry). Both the nave and the side aisle were furnished with high-backed pews, the ends being fitted with wooden doors. At the back of the church was the large stone font - thought to be Norman - with a tall cone-shaped wooden cover, recently removed from the tower, repaired, polished and suspended from the ceiling above the existing font.T.Atkinson, Vicar
Restoration of the Church in 1901
Herbert John Peck came to Hampsthwaite as curate in 1896. Realising that the church was too large for the size of the parish and following the building of three daughter churches at Thornthwaite, Darley and Birstwith, he instituted a restoration scheme to make good the mistakes of the earlier 1820 design. Hodgson Fowler, a Durham firm of architects, drew up the new plans, which involved the removal of the ugly roof and of the walls down to their foundations. It was during the excavation of the building that a number of ancient grave covers and stones - one of which had been used as a base for the south wall - were found. Hodgson Fowler's original design was considered to be too costly. It was, therefore, decided to omit the short transept from the south aisle in the final plans. In spite of the change, the restoration was to produce a well-proportioned building. While its architecture would not conform to any acknowledged style, it is now thought to be similar to the 14th and 15th century building pulled down in 1820. The walls of the nave and chancel were rebuilt on the same site, but the church was made smaller by moving the south aisle inwards by eight feet. New stone pillars were built on to the existing pedestals, which were topped by arches to support the roof. They gave a much improved outside appearance, as the tower was no longer dwarfed by the roof - and the nave and aisle were in proportion. Inside, the gallery at the west end was taken down to reopen the tower arch. All the old pews were removed, their wood being used for replacement ones and for facing the inside wall. The oak panelling from the front of the former gallery formed the first pew in front of the lectern. John Haxby, the village joiner and parish clerk, carried out all this work with considerable skill. Some repairs were made to the Jacobean pulpit and it was remounted on a new stone base. Similarly, a new octagonal stone base was made for the large stone font. return to indexRaising Funds for the Restoration
As soon as he became vicar in 1898, Canon Peck set about raising money. In two years he collected £1,810 to pay for the restoration. A further £600 was still needed for the purchase of a number of additional items and a committee was formed to seek gifts from local benefactors. The committee comprised the vicar, the churchwardens and a number of influential people from the county, including Captain C.S. Greenwood (Swarcliffe), Mr. H.C. Shann (Tadcaster), Mr. W. Sheepshanks (Arthington Hall) and Mr. T.D.R. Wright (Hollins Hall). The cost of the outstanding items makes interesting reading today:New heating apparatus | c. 100. 0. 0 |
New seating for the church | c. 70. 0. 0 |
New porch | 60. 6. 3 |
Four new windows in the nave | 57.14. 5 |
Oak screen to divide vestry from chancel | 16.17. 0 |
Chancel roof panelling | 33.12. 0 |
New stone base, etc. for pulpit | 2.10. 0 |
Oak or brass lectern | c. 10. 0. 0 |
Two new bells | 120. 0. 0 |
Re-hanging the three bells | 120. 0. 0 |
Total: | £590. 19. 0 |
New cover for the Holy Table | c 10. 0. 0 |
Additional improvements to small organ | - - - |
Hassocks, carpets, mats or matting | - - - |
Oak screen to divide organ chamber & vestry from south aisle | 22. 0. 0 |
Oak screen between organ and chancel | 12. 0. 0 |
Cheque to cover bazaar expenses | 70. 0. 0 |
The Great Bazaar
To raise the additional money a two-day bazaar was held in the Winter Gardens, Harrogate on October 15th and 16th, 1901 from 2.30 to 10.00pm. Two bands played each day and entertainment "of mirth and merriment" was provided. A dozen stalls were set up, selling china, glass, art, Indian and fancy goods, fruit, plants and refreshments. Items made by church working parties in the parish were also on sale. A number of quaint competitions had been arranged, including the Ladies' Monkey Brand Polishing and the Gentlemen's Needle Threading - both detailed in the bazaar brochure. For the polishing, each competitor was provided with a tablet of Monkey Brand Soap and a cloth and, on the word "go", had to polish pennies. The lady who polished the most in five minutes won the prize. "Speed and correctness of detail" were decided by "judges of known repute" and "points were deducted for irregularities". In the needle-threading, prizes were awarded to those gentlemen who threaded the most needles in five minutes. It was an impressive and successful occasion, which allowed the restored church to be opened free of debt. On the framed notice in the Baptistry, we read that the final cost was £2,730, all of which was raised by public subscription, with nearly forty names on the printed list. return to indexSome Aspects of the Parish in the 18th and 19th Centuries
The Terriers One of the principal sources of information on parish life in the 17th and 18th centuries is provided by the Terriers (surveys of land and properties). Two interesting surveys are those of 1743 and 1817. The first was made during the incumbency of Edward Bainbridge (1738-1771), when Thomas - Archbishop of York - held a visitation in Leeds on 23rd June, 1743. Some details are given of the Property and Tithes of the benefice. Referred to are the size of the Vicarage (24 yards x 10 yards) and the existence of a barn, stables and cow house, along with two gardens and an orchard. The vicar's income came from tithes (= one tenth part) on hay gathered from land in the village and from lambs, wool, pigs, fowl and fruit. He was entitled to fees of 4/- per annum from Hill Top Farm and from Darley Mill - an indication of the size of the parish. Where the hay tithe was payable in kind, the vicar received 1d - and at Easter every householder or tenant was obliged to pay 4d in lieu of tithe fruit and eggs. The same Terrier gives a list of the furniture and utensils of the church, some of which (see *) are still in existence:*Large stone font with wooden cover | One pewter paten |
Pewter basin for wa-ter | Two pewter flagons |
Cushion for pulpit | Three pewter plates |
Large Bible | Three diaper napkins |
Common Prayer Books (2) | Two small silver chalices - no inscription |
*King's Arms (framed) | |
Creed and Lord's Prayer (Framed) | Three Bells and Clock |
Communion table, carpet and linen cover | |
*Ten Commandments in two frames | |
b)the churchyard of half an acre, where the parishioners were responsible for the maintenance of the fence and gate;
c)four allotments awarded by the Commissioners under the Enclosure Act. Items additional to those of 1743 included silver cups engraved HAMPSTHWAITE 1785, five pewter plates and a tin salver. No mention is made of the Book of Common Articles, but details are given of the registers for births, marriages and deaths, two small books of Offices (the Services) and John Foxe's Book of Martyrs. The church had also acquired two biers to carry coffins, a cupboard and a ladder.
The Registers
The Church Registers date from 1603 and the baptism entries are complete. Missing are those for marriages from 1638 to 1652 and for burials from 1645 to 1652 - a period of civil unrest, when the Commonwealth was established under Oliver Cromwell; a period too when the Puritans forced Parliament to ban the 1549 Book of Common Prayer and when bishops and cathedral clergy were removed from office and many restrictions were placed upon the parochial clergy. It is interesting to note in a Parish Magazine of December 1950 that "for many years until this (= 20th) century, the marriage registers in Hampsthwaite Church contain the mark (=X) of the bride and bridegroom." All church registers - except for the current ones - are stored at the Record Office in Northallerton, with the information from them now on microfiche. In the past, however, they were transcribed and edited by Dr. Francis Collins and then printed in 1902. The cost was largely borne by Bishop Stubbs of Oxford, whose ancestors lived in the parish, and some copies are still in existence. In the brochure of the bazaar of 1901 there are a number of interesting extracts from the burial registers:J.F. | Master of the Workhouse at Saltergate Hill, upward of 23 years |
Elizabeth M. | Drunk and drown'd on the Lord's Day. |
F.H. | Killed by a cart |
G.F. | Anabaptist (16th century Protestant Movement); privately interred |
R.R. | Died and buried in 8 hours |
W.M. | Killed by foul air in sinking a draw well |
G.S. | A poor honest Bachelor, aged 74 |
J.H. | Killed by the fall of a tree seeking to catch a squirrel |
T.Smith | Heckler (= person who combs out flax fibres) - weighed |
H.S. | Who hang'd herself on Good Friday 19 stone. Papist. |
A Tour of the Church
Ancient Grave Covers and Memorial Stones The two sepulchral stones (or grave covers) near the west door and behind the lectern are identified as Saxon or early Norman in origin. They are over five feet in length and both have Celtic crosses carved on the stonework. Other stones from this period, with a variety of crosses, are set in the walls of the porch. One carving is thought to be that of a fish.and.thine.shall.be. Oh.think.it.not.amise.her.to.obey.
I.was.a.man.like.the.repent. feare.God. love.all..and.follow.
me. Francis Jeffray.
the 8th of June ANO DM MDCCIII (1703)
The Font
The large rough stone font is believed to be from the Norman period and is certainly the oldest relic from the early church. It is in the shape of a plain bowl, with its outer diameter measuring just under three feet. During 1901 restoration - as mentioned elsewhere - the font was fixed on to a new octagonal-shaped base.14th Century Brass in the Chancel Wall
The most unusual memorial in the church is the brass mounted in the north wall of the Chancel. It contains a figure and an inscription and may be compared with the great Flemish brasses at Kings Lynn and Newark. There are very few such figures and, in 1895, it was drawn to the attention of the Society of Antiquaries - through whose generosity it was rescued from lying loose, refixed in new stone and set up in the vestry during the 1901 restoration. Later it was removed to the Chancel wall.soule of AD Dyxon
uncle to Vycar Dyxon
Aug. 18 1570
The Jacobean Pulpit
This pulpit is probably the only one to have been used in the church and is thought to be made from Jacobean oak. It is in the form of a hexagon, with five decorated panels. Their form and dark brown colouring are characteristic of the early 17th century period. During the restoration some repairs were made to the woodwork and it was then that it was re-mounted on a new stone base.Church Paneling
Some of the woodwork from the 14th and 15th centuries was almost certainly destroyed at the time of the building of the 1820 church. Fortunately, one of the most interesting items - the churchwardens' pew - was retained and is now sited along the west wall of the Baptistry. On the back panel there is some carving:PA IM IF PI CHURCHWARDENS SEAT 1695 |
SAMUEL SUGDEN VICAR 1671 | I.O. BIRKHEAD WILL HARDISTY L.E. RANDALL I.O. WRIGHT CHURCHWARDENS |
TW MB WS RB CF 1698 |
Church Furniture
In the Sanctuary are two high-back oak chairs of the Elizabethan period. The backs are elaborately carved, each with distinctive designs. Of the same period are the two cupboards in the vestry. Adjacent to the lectern is an old oak chest in which was kept a ferrule about 15 inches long. Half ruler, half cane, with an oblong, flat end, it was formerly used to punish unruly boys after the service. return to indexOld Clock Face and Coat of Arms
On the tower wall at the back of church are the wooden face and hands of an old clock, with the initials and date AR 1711. No doubt it ticked away time through many a long sermon. The blind violinist and joiner Peter Barker (1809-73) was proud of his lifetime care of the clock. Several other "clever fellas"", according to him, had failed to repair it and it seemed doomed never to go again, but he "teak her to pieces, give all t' pivvits a nice sup of oil and put her togidder ageean" - much to the astonishment of the Reverend Thomas Shann when he first heard the time of day strike once more. Sadly, the mechanism has disappeared with the passage of time. It was only recently that a visitor to the church, who restored very old clocks as a hobby, volunteered to do what he could with ours - that was until he realised that only the face and hands remained.Memorial Plaques
The church has a number of interesting memorial plaques on the walls. The earliest - on the south wall - is for William Pullein, who was married in Hampsthwaite church in 1605 and died in 1622. The plaque states that he bequeathed five and a half acres "to the poor of Hampsthwaite, Felliscliffe, Birstwith, Menwith with Darley and Holme." This is an early reference to the extensive parish at that time. The actual memorial was erected on 18th December 1905 by a descendant, Catherine Pullein, and includes the names of other members of the family. Thomas Leuty's memorial - it was he, aforementioned, who built the loft at his own expense - is in the vestry adjacent to the safe. He lived at "Holm in this parish" and died at the age of sixty- eight. The Holme was a thatched cottage on the east side of Darley, which was accidentally destroyed by fire during its restoration a few years ago. Above the memorial to Thomas is one in remembrance of William, believed to be his father and of the same address. On the east wall of the tower is the memorial to John Swale, who died in 1909. His widow, Mary Ellen, provided the clock in the church tower. On the south wall, adjacent to the stained glass window, is a tablet to William Simpson of Felliscliffe, who died in 1776. He claimed to be a direct descendant of the "Saxon Thane Achil", who - at the time of Edward the Confessor - held large estates in the North and West Ridings of Yorkshire and at Wipeley (now Clint). After the Norman Conquest, the thane was dispossessed of most of his land, but remained at Wipeley where he died in the reign of William the Conqueror. The family continued to live at Wipeley until 1698, when the estate was sold to Sir John Ingilby Bt. of Ripley. The tablet also commemorates William Simpson's wife - not mentioned by name - who died in 1741 at the age of thirty-one. Six former incumbents are remembered, the earliest being Thomas Atkinson, who was the vicar from 1715 until his death in 1737. The inscription states that he was born in the parish and "descended from an honest and ancient family . . . in every way he was qualified for the sacred function and performed his duty with great care, zeal and diligence." The conclusion is particularly touching: "He lived beloved and died lamented by his parishioners and acquaintances." There is a memorial on the north wall to Joseph Wilson, who came to the parish in 1770 as a curate and who a year later was instituted as vicar. He was the father of Bilton Josephus Wilson, a well-remembered and respected friend of the village, who endowed the school in 1865 with the sum of £45 per annum. Two members of the Shann family served as vicars for a total of sixty-five years: Timothy Metcalf Shann, vicar from 1790 to 1839, had the unusual distinction of being instituted to the living on two occasions; his nephew, Thomas, who followed him, remained until 1855, when he resigned because of ill health. It was at this time that the patronage was in the hands of the Shann family and continued through successive heirs until 1923. Near the pulpit is the memorial to Henry Deck, vicar for thirty-six years from 1862 and predecessor of Herbert John Peck. Canon Peck's outstanding ministry is commemorated with a wooden plaque on the north wall. return to indexStained Glass Windows
All three stained glass windows are the work of Shrigley and Hunt of Lancaster and London. The east window depicts the Resurrection.The Bells and the Church Clock
There is room in the belfry for a full peal of eight bells.The original and largest - tenor - bell was hung in 1620 and bears the inscription:To Him all Glory and Praise we ring.
1620 SOLI DEO GRATIA W.O.
Jona Hardcastle, Tho. Rhodes, Jona Hutchinson, Hen. Ransome
CHURCHWARDENS 1738
BILTON JOSEPHUS WILSON ESQ. 1ST MAY 1857
The Woodforde-Finden Monument
The Organ
Prior to 1880 a Harmonium was used to accompany the services. Thereafter, according to information contained in old documents dated 1858-77, a successful fund-raiser led to the purchase of the first pipe organ in 1880. This was a single manual instrument with pedal board, built by the firm of George Holdich in London at a cost of £120. It was hand-blown, but unfortunately of poor tonal quality. From 1901 the organist for over forty years was Elizabeth Milner, who had to suffer its inadequacies. In 1948 the decision was made to replace it with the present organ, made in 1891 by Forster and Andrew of Hull. This instrument was originally built at a cost of £325 for St. Martin's Church in York. When it arrived in Hampsthwaite it was installed for a total cost of £1,000, which was paid out of church funds. Forster and Andrew were noted for building high quality instruments suitable for smaller churches. The organ has two manuals, pedals and sixteen stops. Apart from lowering the pitch of the original Oboe stop to a Contrafagotto while it was at York and then recently replacing this with a two-rank Mixture here in Hampsthwaite, the organ has remained unchanged from its original specification. The dedication and opening of the organ took place on 12th January, 1949, when a recital was given by Dr. Francis Jackson, who was the organist and Master of the Music at York Minster. Included in his music that evening was Widor's Toccata from the Fifth Symphony. Due to deterioration of the wood in the tracker action, a major renovation of the organ took place in 2007-8. This involved removing all the mechanical action between the pipes and the two manuals and replacing with an electro-pneumatic system. With the introduction of super and sub-octaves, and incorporating stops on the manuals into the pedals, the existing pipe-work is now used more extensively. return to indexSome Memorial Gifts
The Church Silver and Brasses On August 6th, 1785 Matthew Mason was executed at York for sacrilegiously breaking into the church and stealing 17/- (= 85p), some copper and two silver cups - which were found eventually, broken to pieces, in his possession. The present church silver dates from 1848, when Edwin Greenwood of Swarcliffe gave the Gothic style Communion set. It consists of a silver chalice and flagon, made in London by John Keith, and a paten by John Joseph Keith. The chalice has a U-shaped bowl, which is largely plain, fixed to a short hexagonal stem and foot. In the sunken centre of the paten is engraved the sacred monogram, surrounded by a band bearing the words:TUE LIBERA NOS DOMINE
Memorials to Canon and Mrs. H.J. Peck
The fine oak screen enclosing the base of the tower is in memory of EDITH MARY PECK, wife of Canon H.J. Peck and is the work of Robert Thompson of Kilburn. Mrs. Peck, who died on 30th August, 1941, was a devoted church worker for many years and the screen was erected by her family and friends. Recently, the upper part of the tower arch has been fitted with a handsome glazed window frame to complete the enclosure. As a tribute for his long and devoted service to the parish, electric lighting was installed in the church by Canon Peck's family, friends and parishioners. return to indexProcessional Cross and Litany Desk
The oak processional cross was the gift of Mrs. Hough and her son Richard in memory of PERCY T. HOUGH MC, schoolmaster in the village from 1925 to 1932. The Litany stool, now in the Sanctuary, was given in memory of ELIZABETH ANN MILNER, the church organist from 1901 to 1941 and was the work of Robert Thompson. return to indexA walk outside the church
The Porch and Its Connection with the Thackeray Family Members of the Thackeray family, from whom William Makepeace Thackeray (1811-1863) of "Vanity Fair" fame was descended, are buried in the churchyard. The grave is a flat stone on three square uprights and is somewhat crudely carved with names commencing in 1740. In 1804 a brass tablet was fixed on to it with an interesting inscription:Ps. xv 1.2. return to index